![]() At the end of thirty seconds, there was still no word from the astronauts, and Deiterich began to get concerned. Deiterich said it should be over in another thirty seconds. Henry Cooper's 1973 book Thirteen: The Flight That Failed describes the tension: "After three minutes of blackout, Kranz put through a call to Deiterich to find out how much longer they had to wait. ![]() "Blackout was 1:27 longer than predicted…. "Per my mission log it started at 142:39 and ended at 142:45- a total of six minutes," Kranz relates. "Take a look at the picture of the flight directors during blackout.There was some distress, but nothing we could do about it." To make matters worse, the blackout went on longer than usual because the reentry path for Apollo 13 was longer and shallower than normal. "There was no telemetry from Odyssey until the end of blackout," he recalls. With no radio signal, there was "no way to tell" how the crew and ship were faring, Kranz says. The final ordeal of the flight was a radio silence, or blackout, caused by ionized air surrounding the command module during its superheated reentry through the atmosphere. (For those who don't know, Kranz was the well-dressed character in the film played by Ed Harris.)Īfter an onboard oxygen tank exploded en route to the moon on April 13, 1970, the Apollo 13 crew had to abort their mission and return to Earth. We turned to someone who should be able to give us the straight scoop: Apollo 13 flight director Gene Kranz, now retired in Texas. ![]() Can you help before I tear out what little is left of my hair when the movie is on?" I'm certain the movie embellished the scenario for dramatic effect. "As a teenage junkie for all things aeronautical, I followed that flight and seem to recall that the flight's descent path was shallower than ideal, and that the blackout period was indeed much longer than it should have been. "Apollo 13 portrayed the capsule's reentry as protracted beyond all expectations," he writes. Department of Justice in Dallas, is one of the wonderers. Bill Parkinson, an attorney working for the U.S. The 1995 film Apollo 13 has been praised for its accuracy, but many people still wonder if director Ron Howard played up the tension among the astronauts and inside mission control to heighten the movie's emotional impact. And when you mix history with Hollywood, the truth can become a casualty-even in cases where movies take pains to be accurate. Regardless, expect Radio Silence to amp up the gore and dark humor in the Escape from New York reboot while navigating newer territory in the sci-fi and action genres, which should make for an exciting interpretation of a compelling '80s adventure.History is sometimes a tricky thing. With the acclaimed director executive producing, Escape from New York fans can rest assured that his vision will persist somewhat. Carpenter's cult classic is a dystopian sci-fi action spectacle with political undertones, but Radio Silence appears adaptable enough to craft a reboot worthy of Carpenter's legacy. While Radio Silence's triumph with Scream proves that the group can adequately tackle a new franchise entry, Escape from New York is a step away from the horror projects they have historically created. More specifically, Radio Silence is adept at directing a character like Snake Plissken, who mixes steely confidence with sly dialogue and violence. The trio's success with Scream indicates that a new Escape from New York film is not outside their comfort level, and that 20th Century Studios can rely on them to produce a meaningful reboot for Carpenter fans. Consequently, the team demonstrated its ability to handle a long-standing and beloved horror franchise while injecting its unique blend of mystery and humor. With the latest Scream film, Radio Silence drew over $140 million in box office revenue for Paramount, a Certified Fresh rating on Rotten Tomatoes, and overall positive audience reception.
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